Mariupol lies in eastern Ukraine, where the Kalmius river flows into the Sea of Azov. The city, which is centred round the steel works, seems calm but the encroaching conflict between pro-Russian rebels and Ukrainian government forces is tangible everywhere. A theatre ensemble is rehearsing a piece to commemorate Victory Day on 9 May; as they put their hearts into practising th...
看到微博上导演去世的消息后被朋友推荐的。对于当下没有亲历俄乌战争的我们,难以体会和想象他们正遭受的各种苦难。在战争中人民依然在努力的生活着。
"Animals in the city’s zoo nervously run around in their cages, suggesting the vulnerability of the city’s population. In another shot, the ruins of a plaster cast of a Greek statue symbolize the precariousness of this particular minority." - Moritz Pfeifer, EEFB
系里的放映。今天在common room见到组织放映的立陶宛小姐姐,她又向我道谢,说感谢参加。 "What does it mean to be Slavic."
结尾处美妙的音乐,很难想象昔日的大粮仓成了废墟
Mantas Kvedaravičius 在他 2015 年第一部《Mariupolis》中对于当时的 Azovstal 钢铁厂安静到些许诗意的记录,亚速营的背景影响还不那么明显,很难联想到七年后重返拍摄就丧生于此。通过一个剧团为即将到来的 9. May 胜利日四次彩排的人员数目&说辞心态变化,与另一位想成为新闻记者的钓鱼女孩在爆炸跟访后参加婚礼的现实对比,扯开那些舆论宣传和政客煽动渲染的幕布。浅焦近景镜头突出角色不少局部特点,萧瑟的动物园,笼中困兽聊赖;修鞋的父亲说着古典雕塑都是兄弟姊妹,可这类推至艺术维度的物化实则逃避真实人权问题。当时 Mantas 也拍下了生活在马里乌波尔几十年的老兵和年轻占领军的对峙,彼时还没到剑拔弩张兵戎相见的地步……
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